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Overture

Overture from William Tell

Pimmi

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	19	5	4	6	100%
Violin I	21	0	5	7	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	19	5	4	6	100%
Violin I	21	0	5	7	99%
Viola	16	0	3	4	96%
Cello	20	0	3	6	93%
Bass	9	0	1	4	91%
BaccidentalFlat Clarinet	20	2	4	7	79%
Flute	18	0	4	7	79%
BaccidentalFlat Trumpet	22	0	5	6	77%
Alto Saxophone	15	1	2	5	76%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Jamie Holdham

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	6	92%
Bass-Tuba. (in C.)	19	0	9	6	89%
Contrabasse Tuben.	26	0	13	6	89%
BRATSCHEN.	24	16	9	5	86%
Bass Trombone	26	0	14	6	84%
Contrabasse Posaunen.	24	0	13	5	84%
Violoncelle.	31	5	14	7	84%
Bassclarinetten.	18	0	7	6	82%
Contrabasse.	22	3	10	8	82%
I. Violinen. II.	27	4	11	6	77%
Violins	27	4	11	6	77%
Bass-Tuba. (in B.)	28	0	12	4	64%
Horner. (in F.)	16	2	5	5	62%
Horn in F	15	2	5	5	62%
Clarinetten. (in Bb.)	15	5	6	7	60%
B♭ Clarinet	27	3	11	7	56%
F Trumpet	12	0	1	6	55%
Tenor-Tuba. (in Es.)	21	1	9	4	54%
(2 Tenor.) 3 Posaunen. (1 Basse.)	15	0	5	8	50%
Tenor Trombone	15	0	4	8	50%
3 Hoboen.	13	6	4	5	47%
2 Trompetten. (in F.)	14	1	2	5	45%
Oboe	16	4	6	5	44%
Englishes Horner.	16	0	6	5	43%
Bass Trompeten. (in D.)	9	0	3	6	32%
Flute	4	2	2	3	21%
Timpani	5	0	2	4	17%
3 Floten.	6	0	2	4	16%
2 Pauken.	3	0	1	4	9%

1812 Overture

TEDSTAR1

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
비올론첼로, Cello 1	39	29	16	14	93%
콘트라베이스, Cello 2/Bass	33	15	14	14	91%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
비올론첼로, Cello 1	39	29	16	14	93%
콘트라베이스, Cello 2/Bass	33	15	14	14	91%
비올론첼로, Viola	36	77	14	14	86%
바순 , Bassoons	38	112	16	11	76%
바이올린, Violins 1	44	14	18	14	75%
바셋 클라리넷, Clarinets in B	39	162	22	12	73%
바이올린, Violins 2	36	31	14	14	72%
옥타빈, Oboes	29	134	12	12	68%
잉글리시 호른, Cor Anglais	29	0	11	11	65%
플루트, Flutes	33	77	13	10	64%
F 호른, Horns in F 1	30	115	12	12	62%
튜바 , Horns in F 2	31	128	12	12	59%
튜바 , Tuba	26	0	11	10	38%
팀파니, timps playing	4	0	1	14	34%
트롬본 , Trombone 3	28	0	11	10	33%
소프라노 플루트, Piccolo	33	0	12	10	33%
B♭ 코넷, Trumpets in Es	25	63	10	11	32%
B♭ 코넷, Cornet	26	73	10	11	31%
트롬본 , Trombones 1 amp;amp; 2	22	54	9	10	30%
Tuned Gongs, bells	19	3	3	4	10%
바이올린, Violins 1 dummy	24	0	11	2	1%
콘트라베이스, Conductor	7	1	2	1	0%